Convolution technology has provided new levels of realism for plug-in reverb, but has been unable to capture non-linear or time-variant effects such as compression, tape saturation, distortion and flanging. These machines not only operate amazingly on their own, but because of the accuracy of their dynamic settings they provide us with the perfect stage 1 template to build upon for higher levels of volume due to saturation.This second stage, &#ff7ddf Tape Booster +&#ff7dde , allows the user to add several decibels of natural tape saturation to their recordings. &#ff7ddf Tape Booster +&#ff7dde represents the second stage of our unique &#ff7ddf building block&#ff7dde concept for providing the most accurate and dimensional representation of the analog tape sound.With &#ff7ddf R2R-The Essential Analog Tape Collection&#ff7dde , the user has a collection of the most sought after tape machines working &#ff7de9 at spec&#ff7de8 and even beyond.
To give the effects more versatility, additional attack/release behaviors were taken from actual compressors and melded with these effects.The additional attack/release times allow these programs to be used like compressor programs to some degree, but they also allow you to shape the saturation/distortion effect. It’s like a hybrid of a saturated tape sound with compressor controls, and the tape is cassette so there is definitely a lo-fi sound.These effects provide a range of unique sounds that could be a very useful addition to your arsenal, but you have to accept that there are flaws, because of the extreme nature of the sampled setups (in some cases I think the flaws actually lead to interesting new sounds). The concept of magnetic recording to a moving tape was invented by the German-Austrian engineer Fritz Pfleumer and received a patent back in 1928. What: A Gibbs spring reverb tank made in the early 70s.Octoby Variety Of Life 18 Comments.
One has all the drums, the other has the 2 synths. First you hear the whole mix dry, then it goes through different combinations of programs/settings being used.Female vocal. First dry, then it goes through each effect in the set, in the order that they are listed in the manual. Overdriven cassette tape effects. Compression, distortion- saturation. 3 of them used additional processing and hardware to add to the tape effect.
It can be used on every track of a multi-track project, on a single instance of a final mix or master, on group buss duties, and any combination of the above. This unique cooperation has led to this special line of products developed for CDSoundMaster by "MX2" or 'Michael Times Two'.The VTM-M2 reproduces the unique character of reel to reel tape machines for use on all aspects of recording, mixing, and mastering. It is based upon an original concept developed by Michael Angel of CDSoundMaster called "Virtual Interactive Signal Chain Technology", and has been brilliantly executed in code by Michael Heiler. It stands for "Vintage Tape Machine" and we be believe that it defines a new level of authenticity in plug-in technology. The VTM-M2 is the result of 5+ years of research and design.
Nebula 3 Tape Saturation Full Range Of
Not only are multiple machines included in R2R, but each with its own tape speeds and tape stock choices. R2R - Reel, Too REAL, and Tape Booster +, are stages one and two, found in the Nebula Pro Plug-In list of CDS original software on this website.R2R brings the user a complete collection of actual reel to reel tape machines, each with its unique frequency response, dynamic response, and harmonic distortion. It uses minimal system resources and is ideal for multiple instances and use on every track in dense multi-track session projects.For those who have been using CDSoundMaster Program Libraries for the Nebula Pro Plug-In for several years, the VTM-M2 represents the long-awaited "3rd Stage" for the complete building-block concept for creating absolute authenticity in reel to reel tape inside the DAW. It contains advanced multiple operations yet requires very few parameters for operation. This provides a full range of use from subtle, clean response to higher gain, deeper harmonic distortion and compression, giving the user every desired response of a real tape machine without alteration to the source's frequency range.
In this case, tape is reproduced with frequency, dynamic change, and harmonic content. Each instance of Nebula Pro acts as a certain process. But, there are certain limitations to what the engine is created to do. So, why three stages? Because Nebula Pro is the finest platform for reproducing absolute accuracy from such machines, and what it does is unrivaled.
The VTM-M2 is a completely new concept in creating code that sounds like, thinks like, acts like real analog. Natural, authentic, complex saturating tape compression with two independent calibrations for subtle mastering work and for higher gain functions. The two together make for an amazing daily mix, tracking, bus, and mastering tool using any desired machine.And now, stage 3, the VTM-M2. Dynamic harmonic distortion in exact detail to tape response is what Tape Booster + adds to each individual R2R machine. This is where Tape Booster + comes in.Tape Booster + is used as a second stage after R2R to build the level of perceived volume based completely on saturation or harmonic content.
We believe it is the first product of its kind, and if used on its own, it may very well become your favorite replacement for digital brickwall limiters, mastering compressors, and tape saturation emulators. As it is driven harder, all forms of processing increase, change, and adapt. The VTM-M2 is always compressing, and it is always adding saturation. If it is given a quiet signal, it operates in a different manner. If it gets a loud signal it operates uniquely to that signal. If it is receiving fast transients, it acts one way, if it is receiving long lyrical passages, it responds differently.
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